apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Praying before the communion at Megara
Praying before the communion at Megara by Théodore Ralli

plate no. 8992

Praying before the communion at Megara

Théodore Ralli, 1890

oil, canvasOrientalismgenre paintingfiguresinteriortablecandlesbooksreligious
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and understanding how to create a sense of depth using subtle value changes. It also provides practice in capturing the textures of fabrics and the details of objects in a realistic manner.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, table, and architectural elements.

  2. step 02

    Establish the overall warm, muted color palette by applying a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the main areas of color for the figures, paying attention to the light and shadow patterns.

  4. step 04

    Start refining the details of the faces and clothing, focusing on capturing the subtle variations in tone and texture.

  5. step 05

    Add details to the table, books, and candles, ensuring they are in proportion and perspective.

  6. step 06

    Work on the background, creating a sense of depth and atmosphere with soft, blended brushstrokes.

  7. step 07

    Refine the highlights and shadows to enhance the three-dimensionality of the figures and objects.

  8. step 08

    Add final details and adjust the overall composition as needed.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of ivory black and titanium white. Use ultramarine blue to create cooler shadows and subtle variations in the fabric colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of light and shadow.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·varnish

Use a canvas with a smooth or slightly textured surface for best results. Consider using a toned ground to help establish the overall color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti