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home·artworks·Prayer Around The Sacred Temple Of The Kaâba In Mekka
Prayer Around The Sacred Temple Of The Kaâba In Mekka by Nasreddine Dinet

plate no. 4973

Prayer Around The Sacred Temple Of The Kaâba In Mekka

Nasreddine Dinet, 1914

oil, canvasOrientalismgenre paintingcityscapearchitecturecrowdmountainsskyreligious site
experienced study

Recreating this painting will help students develop skills in rendering complex scenes with many details and understanding atmospheric perspective to create depth. It also provides practice in painting crowds and architectural structures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the Kaaba, the city, and the mountains.

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the main color masses for the sky, mountains, city buildings, and the Kaaba.

  4. step 04

    Begin adding details to the city buildings, using a variety of warm and cool tones to create depth.

  5. step 05

    Paint the crowd in the foreground, using small brushstrokes to suggest individual figures.

  6. step 06

    Add the gold detailing to the Kaaba, paying attention to the light and shadow.

  7. step 07

    Refine the details in the sky and mountains, adding clouds and atmospheric effects.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ultramarine blue · burnt sienna · titanium white · ivory black

secondary · yellow ochre · cadmium red · raw umber

Mix various shades of brown and gray by combining burnt sienna, ultramarine blue, and white. Use yellow ochre and cadmium red to create warm tones for the buildings and mountains.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·layering

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Using colors that are too saturated, which can flatten the image.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the details in the crowd, which can make it look too busy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas to allow for both detailed work and textured brushstrokes. Consider using a toned ground to unify the colors.

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oil painting for beginners →how to learn by studying the masters →
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