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home·artworks·Praça Clóvis Bevilacqua
Praça Clóvis Bevilacqua by Jose Pancetti

plate no. 4924

Praça Clóvis Bevilacqua

Jose Pancetti, 1949

oilPost-Impressionismcityscapecityscapebuildingschurchstreetskyfigures
some experience helpful

This painting helps students practice simplifying complex scenes into basic shapes and using visible brushstrokes to create texture and form. Students will also learn to mix colors to create a sense of atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, street, and sky, focusing on the overall composition.

  2. step 02

    Block in the main color areas with thin washes, starting with the sky and distant background.

  3. step 03

    Add the darker values to define the shadows and architectural details of the buildings.

  4. step 04

    Mix and apply the colors for the rooftops and street, varying the hues slightly to create depth.

  5. step 05

    Use thicker paint and visible brushstrokes to add texture to the foreground and buildings.

  6. step 06

    Add small figures and details to the street to create a sense of scale and activity.

  7. step 07

    Refine the edges and details, paying attention to the overall balance and harmony of the painting.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light.

color palette

primary · titanium white · burnt sienna · ultramarine blue

secondary · yellow ochre · cadmium red · raw umber

Mix white with small amounts of blue and sienna for the sky. Use sienna and red for the rooftops. Vary the mixtures with umber and ochre to create subtle color variations.

techniques

  • ·blocking in
  • ·dry brush
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the simplicity of the composition.
  • →Using too much detail in the background.
  • →Not varying the color mixtures enough, resulting in a flat, lifeless painting.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for visible brushstrokes. Thin the initial layers of paint with linseed oil or mineral spirits.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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