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home·artworks·Portraits of two members of Medici family
Portraits of two members of Medici family by Andrea del Castagno

plate no. 6100

Portraits of two members of Medici family

Andrea del Castagno

frescoEarly Renaissanceportraitportraitmale figureclothingheadwearrenaissance
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportion and rendering of skin tones, as well as understanding subtle value shifts to create form. It also provides practice in depicting complex fabric folds and patterns.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and headwear.

  2. step 02

    Establish the background color with a thin wash.

  3. step 03

    Block in the main areas of color for the skin, clothing, and headwear.

  4. step 04

    Begin refining the skin tones, paying attention to subtle value changes to create form.

  5. step 05

    Add details to the clothing, including folds, patterns, and textures.

  6. step 06

    Refine the features of the face, including the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic representation.

color palette

primary · red ochre · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna

Mix skin tones by blending white, yellow ochre, and a touch of red ochre. Use raw umber and ivory black to create shadows and darker tones. Achieve the red hues by mixing red ochre with varying amounts of white and a touch of burnt sienna.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value study
  • ·rendering fabrics

common pitfalls

  • →Incorrect proportions of facial features
  • →Overblending, resulting in a flat appearance
  • →Inaccurate skin tone mixing
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas for best results. Consider using a toned canvas to help establish the background color.

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