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home·artworks·Portrait of the painter's granddaughter Anne
Portrait of the painter's granddaughter Anne by Jan Sluyters

plate no. 7373

Portrait of the painter's granddaughter Anne

Jan Sluyters

oilPost-Impressionismportraitportraitfigurechildhairclothingchair
some experience helpful

Recreating this painting will help students develop skills in portrait proportions, color mixing for skin tones, and creating form with subtle value changes. It also provides practice in capturing a likeness and conveying a sense of personality.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and chair.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber or a similar neutral color.

  3. step 03

    Block in the background color, paying attention to its subtle variations.

  4. step 04

    Begin layering in the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  5. step 05

    Paint the hair, focusing on the overall shape and direction of the strands.

  6. step 06

    Add the details of the clothing, using a slightly thicker application of paint.

  7. step 07

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ultramarine blue · burnt sienna · yellow ochre

secondary · cadmium red light · raw umber

Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and a touch of red. The blue of the shirt is created by mixing ultramarine blue with white and a touch of yellow ochre to soften it.

techniques

  • ·color mixing
  • ·portrait proportions
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong
  • →Overworking the skin tones
  • →Using too much paint
  • →Ignoring the subtle color variations

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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