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home·artworks·Portrait of the painter Burdanov
Portrait of the painter Burdanov by Oleksandr Bogomazov

plate no. 9878

Portrait of the painter Burdanov

Oleksandr Bogomazov, 1912

oil, canvasPost-Impressionismportraitportraitfigurechairbookinteriorclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also provides practice in capturing the likeness of a subject and understanding composition in a confined space.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and book.

  2. step 02

    Block in the main color areas: the blue shirt, black trousers, green book, and background.

  3. step 03

    Begin refining the skin tones, using a mix of warm and cool colors to create depth.

  4. step 04

    Develop the details of the face, paying attention to the eyes, nose, and mouth.

  5. step 05

    Add texture to the shirt and background with short, visible brushstrokes.

  6. step 06

    Define the shapes of the chair and book with darker values.

  7. step 07

    Add highlights to the figure and book to create a sense of light.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · ultramarine blue · ivory black · burnt umber · titanium white

secondary · viridian green · cadmium yellow · cadmium red

Mix various shades of blue with white and black for the shirt. Use burnt umber, white, and small amounts of red and yellow for skin tones. Mix green with blue and yellow for the book.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overblending the colors, resulting in a flat, lifeless appearance.
  • →Getting the proportions of the figure wrong.
  • →Ignoring the subtle variations in skin tone.
  • →Using too much detail in the background, distracting from the main subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use good quality oil paints for best results. A medium can help with blending and drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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