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home·artworks·Portrait of the officer George-Alexander A. Mangaki
Portrait of the officer George-Alexander A. Mangaki by Dimitris Mytaras

plate no. 4281

Portrait of the officer George-Alexander A. Mangaki

Dimitris Mytaras, 1982

oilContemporary Realismportraitportraitfigurebustchairmansuit
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabric, and capturing form with visible brushstrokes. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, chair, and bust.

  2. step 02

    Establish the overall background color and major value areas.

  3. step 03

    Block in the main colors of the figure's skin, suit, and tie, focusing on accurate color matching.

  4. step 04

    Begin to refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the suit and chair, using visible brushstrokes to create texture and form.

  6. step 06

    Add highlights and shadows to create depth and dimension in the figure and bust.

  7. step 07

    Refine the background, adding subtle details and variations in color.

  8. step 08

    Add final details and adjust values to create a cohesive and compelling portrait.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · raw sienna · ivory black

Mix various combinations of white, blue, umber, and ochre to achieve the skin tones and suit colors. Use small amounts of red for subtle warmth in the skin. Mix black and umber for darker shadows.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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