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home·artworks·Portrait of the Cuspinian Family
Portrait of the Cuspinian Family by Bernhard Strigel

plate no. 4835

Portrait of the Cuspinian Family

Bernhard Strigel, 1520

oil, woodNorthern Renaissanceportraitfiguresportraitsfamilyrenaissanceclothinginscription
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in layering paint to create depth and dimension.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figures and the background elements.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the larger areas of clothing and skin.

  3. step 03

    Begin to refine the shapes and details of the faces, paying close attention to the light and shadow.

  4. step 04

    Add details to the clothing, including the folds, textures, and decorative elements.

  5. step 05

    Work on the hands, carefully observing the anatomy and the way the light falls on them.

  6. step 06

    Add the inscriptions and any other small details.

  7. step 07

    Refine the overall composition, adjusting the colors and values as needed to create a harmonious and balanced image.

  8. step 08

    Apply a final layer of varnish to protect the painting and enhance the colors.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · Prussian blue · yellow ochre

Mix white with small amounts of red, yellow ochre, and burnt umber to achieve the various skin tones. Use Prussian blue and yellow ochre to create the greenish-blue background.

techniques

  • ·layering
  • ·blending
  • ·glazing
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figures
  • →Overblending the skin tones
  • →Failing to capture the likeness of the subjects
  • →Ignoring the subtle variations in color and value

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (burnt umber, ivory black, titanium white, cadmium red, Prussian blue, yellow ochre)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting to paint.

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