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home·artworks·Portrait of the artist's son
Portrait of the artist's son by Ivan Mrkviсka

plate no. 5772

Portrait of the artist's son

Ivan Mrkviсka

oilPost-Impressionismportraitportraitfigureboyhairshirtbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating subtle variations in value to suggest form. It also provides practice in blending and layering paint to achieve a smooth finish.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the face and body using a light pencil.

  2. step 02

    Establish the background with thin washes of color, focusing on the overall tone and mood.

  3. step 03

    Block in the main areas of skin tone using a limited palette of colors.

  4. step 04

    Begin to refine the facial features, paying close attention to the placement of the eyes, nose, and mouth.

  5. step 05

    Add highlights and shadows to create depth and dimension in the face.

  6. step 06

    Paint the hair, using short, directional brushstrokes to suggest texture.

  7. step 07

    Paint the shirt, paying attention to the folds and creases in the fabric.

  8. step 08

    Add final details and adjust the overall composition as needed.

color palette

primary · titanium white · yellow ochre · burnt sienna · ivory black

secondary · ultramarine blue · alizarin crimson

Skin tones are achieved by mixing white, yellow ochre, and burnt sienna, with small amounts of alizarin crimson for warmth and ivory black for shadows. The background uses muted blues and greens, created by mixing ultramarine blue with white and yellow ochre.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·value control

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Using too much detail too early in the painting process.
  • →Failing to create enough contrast between highlights and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, yellow ochre, burnt sienna, ivory black, ultramarine blue, alizarin crimson)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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