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home·artworks·Portrait of Sibylla (or Sybilla) von Freyberg (born Gossenbrot)
Portrait of Sibylla (or Sybilla) von Freyberg (born Gossenbrot) by Bernhard Strigel

plate no. 0164

Portrait of Sibylla (or Sybilla) von Freyberg (born Gossenbrot)

Bernhard Strigel, 1515

oil, woodNorthern Renaissanceportraitportraitwomanjewelrylandscapedressheaddress
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice with depicting intricate details like jewelry and fabric patterns.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the main areas of color: skin tones, dress, background, and landscape.

  3. step 03

    Refine the skin tones using subtle layers of color to create a smooth, realistic effect.

  4. step 04

    Add details to the dress, including the folds, patterns, and textures.

  5. step 05

    Paint the jewelry, paying attention to the highlights and shadows to create a sense of depth and sparkle.

  6. step 06

    Develop the background, adding details to the fabric and landscape.

  7. step 07

    Add final details and highlights to the face, dress, and jewelry.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · red ochre · yellow ochre · ivory black · titanium white

secondary · ultramarine blue · raw umber · cadmium yellow light

Achieve skin tones by mixing white, red ochre, and a touch of yellow ochre. Use raw umber and ivory black for shadows and details. Mix ultramarine blue with white and a touch of yellow for the sky.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·portraiture
  • ·rendering of fabrics

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle details of the jewelry and fabric.
  • →Ignoring the importance of light and shadow in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, small flat)
  • ·palette
  • ·palette knife
  • ·soft cloth

optional

  • ·damar varnish
  • ·retouch varnish
  • ·drying retarder

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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