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home·artworks·Portrait of Robert Storr
Portrait of Robert Storr by Philip Pearlstein

plate no. 5691

Portrait of Robert Storr

Philip Pearlstein, 1988

oilContemporary Realismportraitportraitfiguremanfacehairclothing
experienced study

Recreating this painting will help students develop skills in color mixing for realistic skin tones and understanding how light and shadow define form. It also provides practice in capturing likeness and subtle facial expressions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the portrait, focusing on accurate proportions and placement of features.

  2. step 02

    Block in the main areas of color for the skin, hair, shirt, and background.

  3. step 03

    Begin layering and blending colors to create smooth transitions between light and shadow on the face.

  4. step 04

    Pay close attention to the subtle variations in skin tone, using a variety of colors to achieve a realistic effect.

  5. step 05

    Refine the details of the eyes, nose, and mouth, capturing the unique characteristics of the subject.

  6. step 06

    Add highlights and shadows to the hair to create depth and dimension.

  7. step 07

    Paint the shirt, paying attention to the folds and wrinkles in the fabric.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · raw umber · viridian

Achieve skin tones by mixing white, yellow ochre, and burnt sienna, adding small amounts of red or blue to adjust the temperature. Use ultramarine blue and white with a touch of green for the shirt.

techniques

  • ·color mixing
  • ·blending
  • ·layering
  • ·glazing
  • ·portraiture

common pitfalls

  • →over-blending and losing form
  • →using too much of a single color for skin tones
  • →inaccurate proportions in the initial sketch
  • →ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for this project.

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oil painting for beginners →how to learn by studying the masters →
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