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home·artworks·Portrait of Rachel Dunn
Portrait of Rachel Dunn by Agnes Goodsir

plate no. 2140

Portrait of Rachel Dunn

Agnes Goodsir

oilPost-Impressionismportraitportraitwomanhatscarffigureclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing subtle light and shadow variations. It also provides practice in rendering fabric and textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and scarf.

  2. step 02

    Establish the background with light, muted tones.

  3. step 03

    Block in the main areas of color for the skin, clothing, and hat, focusing on value.

  4. step 04

    Refine the skin tones by layering and blending colors, paying attention to subtle shifts in hue and value.

  5. step 05

    Add details to the eyes, nose, and mouth, capturing the likeness of the subject.

  6. step 06

    Develop the hat and scarf, using visible brushstrokes to create texture and form.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the figure.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · cadmium red light · yellow ochre · ivory black

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of red and blue. Use yellow ochre and white for highlights. Mix black and white for grays in the scarf and hat.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·visible brushstrokes

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Ignoring subtle value changes in the skin.
  • →Overworking the details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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