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home·artworks·Portrait of Ottoman Sultan Mehmed the Conqueror
Portrait of Ottoman Sultan Mehmed the Conqueror by Gentile Bellini

plate no. 0195

Portrait of Ottoman Sultan Mehmed the Conqueror

Gentile Bellini, 1480

oilEarly Renaissanceportraitportraitfiguresultanarchitecturecrownsturban
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures, as well as understanding the use of light and shadow to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes of the figure, turban, and architectural elements.

  2. step 02

    Establish the background with a solid layer of black oil paint.

  3. step 03

    Block in the main colors of the face, turban, and clothing, paying attention to the overall value structure.

  4. step 04

    Develop the form of the face with subtle gradations of color and value, focusing on the light and shadow.

  5. step 05

    Add details to the turban, rendering the folds and textures with careful brushstrokes.

  6. step 06

    Paint the architectural elements, including the arch and columns, with attention to detail and perspective.

  7. step 07

    Add the decorative elements, such as the crowns and ornamentation on the arch and columns.

  8. step 08

    Refine the details and adjust the values to create a cohesive and realistic portrait.

color palette

primary · ivory black · cadmium red · yellow ochre · raw umber

secondary · titanium white · gold

Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white; create variations in the turban by adding raw umber to white; darken colors with ivory black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering fabric
  • ·architectural painting

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Getting lost in the details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, cadmium red, yellow ochre, raw umber, titanium white)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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oil painting for beginners →how to learn by studying the masters →
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