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home·artworks·Portrait of my father
Portrait of my father by Nina Arbore

plate no. 3324

Portrait of my father

Nina Arbore

oilPost-Impressionismportraitportraitfiguremanchairclothingbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with visible brushstrokes. It also provides practice in mixing subtle color variations within a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber.

  3. step 03

    Block in the large areas of color for the background, clothing, and skin tones.

  4. step 04

    Begin to refine the facial features, paying attention to the planes of the face.

  5. step 05

    Add details to the clothing and chair, using visible brushstrokes to create texture.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add final details, such as the hair, beard, and eyes.

  8. step 08

    Adjust the overall composition and color balance as needed.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · viridian green · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, and titanium white. Add small amounts of cadmium red for warmth and viridian green for coolness. Use yellow ochre to create highlights in the skin tones.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of light and shadow in creating form.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a limited palette of colors to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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