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home·artworks·Portrait of Mrs Emily Montgomery-Lang
Portrait of Mrs Emily Montgomery-Lang by Jacques-Émile Blanche

plate no. 2285

Portrait of Mrs Emily Montgomery-Lang

Jacques-Émile Blanche, 1911

oil, canvasPost-Impressionismportraitportraitwomandresschairinteriorfurniture
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating a sense of depth and atmosphere through color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure and background elements.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Begin to refine the shapes and details of the face, paying attention to the subtle variations in skin tone.

  4. step 04

    Develop the drapery of the dress, using highlights and shadows to create a sense of volume and texture.

  5. step 05

    Add details to the background elements, such as the furniture and screen.

  6. step 06

    Refine the details of the hands and jewelry.

  7. step 07

    Adjust the overall color balance and value contrast to create a cohesive and harmonious composition.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · alizarin crimson · ivory black

Achieve the dress's color by mixing ultramarine blue and burnt umber, then adding white for highlights. Use alizarin crimson and burnt umber for the red fabrics. Mix yellow ochre and white for skin tones.

techniques

  • ·portrait sketching
  • ·color mixing
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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