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home·artworks·Portrait of Mrs Atkinson
Portrait of Mrs Atkinson by Gwen John

plate no. 1340

Portrait of Mrs Atkinson

Gwen John, 1898

oilPost-Impressionismportraitportraitfigurewomaninteriorwallfireplace
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering fabric textures. It also provides practice in creating a sense of depth through layering and color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main elements of the background.

  2. step 02

    Establish the overall color scheme by applying a thin wash of warm tones to the background.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and pose.

  4. step 04

    Begin layering the skin tones, using subtle variations of color to create depth and form.

  5. step 05

    Develop the details of the clothing, focusing on the folds and textures of the fabric.

  6. step 06

    Refine the background, adding details such as the wallpaper pattern and the objects on the mantelpiece.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ivory black · yellow ochre · raw umber

secondary · burnt sienna · cadmium red light · titanium white

Achieve skin tones by mixing yellow ochre, raw umber, and a touch of cadmium red light, then lighten with titanium white. Create the wallpaper color by mixing burnt sienna, yellow ochre and white.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·color layering
  • ·subtle blending

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Creating a flat, lifeless background.
  • →Failing to capture the likeness of the subject.
  • →Using too much black, which can make the painting look muddy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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