apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Monsieur Mori
Portrait of Monsieur Mori by Suzanne Valadon

plate no. 9951

Portrait of Monsieur Mori

Suzanne Valadon, 1922

oil, canvasPost-Impressionismportraitportraitfiguremanchairinteriorclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with visible brushstrokes. It also provides practice in mixing and applying a limited color palette to create depth and dimension.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background elements.

  2. step 02

    Block in the main areas of color, starting with the darkest values.

  3. step 03

    Gradually build up the mid-tones and highlights, paying attention to the direction of light.

  4. step 04

    Refine the facial features, focusing on capturing the likeness of the subject.

  5. step 05

    Add details such as the clothing, chair, and background objects.

  6. step 06

    Use short, visible brushstrokes to create texture and visual interest.

  7. step 07

    Adjust the colors and values as needed to achieve a harmonious composition.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · black · white · red · yellow ochre

secondary · burnt umber · ultramarine blue

Mix blacks and browns with blues and reds to avoid a flat, chalky appearance. Use white sparingly to create highlights and subtle variations in tone.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·portraiture
  • ·color mixing

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Neglecting the importance of accurate proportions in the initial sketch.
  • →Using too much white, which can flatten the forms.
  • →Ignoring the direction of light, leading to a lack of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (black, white, red, yellow ochre, burnt umber, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grit canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov