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home·artworks·Portrait of Louis II of Hungary
Portrait of Louis II of Hungary by Bernhard Strigel

plate no. 8797

Portrait of Louis II of Hungary

Bernhard Strigel, 1515

oil, canvasNorthern Renaissanceportraitportraitfigureclothingjewelryhairrenaissance
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing the depiction of fine details in clothing and jewelry.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying attention to proportions and pose.

  2. step 02

    Block in the main areas of color: skin, hair, background, and clothing.

  3. step 03

    Begin refining the skin tones, using subtle layers of color to create depth and form.

  4. step 04

    Work on the hair, using small brushstrokes to suggest texture and individual strands.

  5. step 05

    Add details to the clothing, including folds, patterns, and textures.

  6. step 06

    Paint the jewelry, paying close attention to the highlights and shadows.

  7. step 07

    Refine the background, creating a soft, diffused effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · viridian green · gold

Mix skin tones by blending white, yellow ochre, and a touch of red. Use burnt umber and yellow ochre to create the base for the hair, adding highlights with lighter yellows. Achieve the background by mixing ultramarine blue and burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering
  • ·color blending

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Neglecting the details in the clothing and jewelry.
  • →Creating too much contrast in the background, distracting from the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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