
plate no. 8797
Bernhard Strigel, 1515
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing the depiction of fine details in clothing and jewelry.
technical profile
approach — 8 steps
Create a light sketch of the figure, paying attention to proportions and pose.
Block in the main areas of color: skin, hair, background, and clothing.
Begin refining the skin tones, using subtle layers of color to create depth and form.
Work on the hair, using small brushstrokes to suggest texture and individual strands.
Add details to the clothing, including folds, patterns, and textures.
Paint the jewelry, paying close attention to the highlights and shadows.
Refine the background, creating a soft, diffused effect.
Add final details and highlights to complete the painting.
color palette
primary · titanium white · yellow ochre · burnt umber · cadmium red
secondary · ultramarine blue · viridian green · gold
Mix skin tones by blending white, yellow ochre, and a touch of red. Use burnt umber and yellow ochre to create the base for the hair, adding highlights with lighter yellows. Achieve the background by mixing ultramarine blue and burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Aristotle
Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist
Martin Schongauer

The pride of the beggar sitting on the train of haughtiness
Albrecht Altdorfer

Adoration of the Magi
Quentin Matsys

Christ on the Cross
Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete
Pieter Brueghel the Younger

Group of Men
Rogier van der Weyden

Madonna and Child Holding a Pear
Bernard Van Orley