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home·artworks·Portrait of Julian Ashton
Portrait of Julian Ashton by George Washington Lambert

plate no. 1384

Portrait of Julian Ashton

George Washington Lambert, 1928

oilPost-Impressionismportraitportraitfiguretablestill lifefabricinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones. It also provides practice in rendering textures and creating depth through layering and glazing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the background colors and values, blocking in the red and blue fabrics.

  3. step 03

    Begin to build up the form of the figure, starting with the overall shapes and gradually adding details.

  4. step 04

    Mix and apply skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Paint the clothing, focusing on the folds and shadows to create a sense of depth.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  7. step 07

    Paint the still life elements on the table, paying attention to the textures and reflections.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · raw umber · burnt sienna · titanium white · ivory black

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, raw umber, and a touch of red and yellow. Use ultramarine blue and burnt sienna to create neutral grays for shadows.

techniques

  • ·layering
  • ·glazing
  • ·blending
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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