apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Iza Axentowiczowa née Giełgud
Portrait of Iza Axentowiczowa née Giełgud by Józef Mehoffer

plate no. 1592

Portrait of Iza Axentowiczowa née Giełgud

Józef Mehoffer, 1907

oilPost-Impressionismportraitportraitwomanred jackethatchairfloral background
some experience helpful

This painting provides practice in portraiture, including capturing likeness and rendering clothing folds. It also offers a chance to explore color mixing and layering techniques to achieve depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair on the canvas.

  2. step 02

    Block in the main areas of color, focusing on the red jacket, white blouse, and skin tones.

  3. step 03

    Refine the facial features, paying attention to the light and shadow to create form.

  4. step 04

    Add details to the clothing, such as buttons, folds, and trim.

  5. step 05

    Paint the background, using a loose and expressive brushstroke.

  6. step 06

    Adjust the values and colors to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to the face, clothing, and background.

  8. step 08

    Let dry and apply a varnish for protection.

color palette

primary · cadmium red · titanium white · yellow ochre

secondary · burnt umber · viridian · alizarin crimson

Mix various shades of red by combining cadmium red with alizarin crimson and burnt umber. Create skin tones by mixing yellow ochre, titanium white, and a touch of red. Use viridian and burnt umber to create the dark greens in the background and hat.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overblending the colors, resulting in a muddy appearance.
  • →Ignoring the light and shadow, resulting in a flat image.
  • →Getting lost in the details before establishing the overall composition.
  • →Not allowing layers to dry properly before adding more paint.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov