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home·artworks·Portrait of Germaine Greer
Portrait of Germaine Greer by Jeffrey Smart

plate no. 7429

Portrait of Germaine Greer

Jeffrey Smart, 1984

oilContemporary Realismportraitfigurewalldoorportraiturbanletter
some experience helpful

This painting offers practice in rendering realistic skin tones and clothing folds, as well as creating a sense of depth through subtle value changes in the background wall. Students can also learn about composition and how to balance elements within the frame.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, wall, and doors.

  2. step 02

    Establish the overall color scheme by blocking in the large areas of color (doors, wall, skirt, shirt).

  3. step 03

    Begin refining the values and tones within each area, paying attention to light and shadow.

  4. step 04

    Develop the details of the figure, focusing on accurate rendering of the face, hands, and clothing.

  5. step 05

    Add the graffiti 'R' on the wall, paying attention to its texture and edges.

  6. step 06

    Refine the background wall, adding subtle variations in color and texture.

  7. step 07

    Add the details of the chair and the bag.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · yellow · red · blue · beige

secondary · brown · gray · white

The beige of the wall is achieved by mixing white, yellow ochre, and a touch of burnt umber. Skin tones are created with a mix of white, yellow ochre, cadmium red, and a touch of ultramarine blue.

techniques

  • ·color mixing
  • ·blending
  • ·layering
  • ·rendering
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early.
  • →Failing to create a sense of depth in the background.
  • →Not capturing the likeness of the subject.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·photo reference

Use a medium-grain canvas for a good balance between texture and detail. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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