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home·artworks·Portrait of Georgi Gerasimov
Portrait of Georgi Gerasimov by Georgi Mashev

plate no. 6537

Portrait of Georgi Gerasimov

Georgi Mashev

oilPost-Impressionismportraitportraitfiguremanshirtfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and subtle light variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the skin tones, layering subtle variations of color to create depth and form.

  4. step 04

    Pay close attention to the highlights and shadows on the face to capture the likeness of the subject.

  5. step 05

    Develop the details of the shirt, using soft brushstrokes to suggest the folds and wrinkles of the fabric.

  6. step 06

    Refine the background, ensuring it complements the figure without distracting from it.

  7. step 07

    Add final details and highlights to the eyes, hair, and other key areas.

  8. step 08

    Review the painting as a whole and make any necessary adjustments to the composition, color, or value.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · ultramarine blue · raw sienna

Mix skin tones by blending white, yellow ochre, cadmium red light, and a touch of burnt umber. Use ultramarine blue to cool down the skin tones in shadow areas.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of accurate proportions.
  • →Focusing too much on details before establishing the overall value structure.
  • →Using too much paint, leading to a thick and overworked surface.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·raw sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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