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home·artworks·Portrait of Georg Tannstetter (Collimitius)
Portrait of Georg Tannstetter (Collimitius) by Bernhard Strigel

plate no. 8999

Portrait of Georg Tannstetter (Collimitius)

Bernhard Strigel, 1515

oilNorthern Renaissanceportraitportraitmanhatscrolllandscapebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering skin tones. It also offers practice in creating a sense of depth through atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background elements.

  2. step 02

    Establish the overall color scheme by blocking in the main areas of color: skin tones, clothing, background.

  3. step 03

    Refine the skin tones using subtle variations of color and value to create a realistic effect.

  4. step 04

    Add details to the clothing, including the fur trim and the white shirt.

  5. step 05

    Paint the background landscape, paying attention to atmospheric perspective to create depth.

  6. step 06

    Render the scroll in the figure's hand, focusing on the highlights and shadows to give it a three-dimensional appearance.

  7. step 07

    Add final details and highlights to the face, clothing, and background.

  8. step 08

    Glaze if needed to unify the painting and adjust values.

color palette

primary · ivory black · burnt umber · cadmium red light · titanium white

secondary · yellow ochre · ultramarine blue · raw sienna

Mix skin tones using titanium white, cadmium red light, yellow ochre, and a touch of burnt umber. Create the background landscape by mixing ultramarine blue, titanium white, and a touch of burnt umber for the distant mountains.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth in the background landscape.
  • →Inaccurate rendering of the clothing and scroll.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve blending.

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