apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Erik Satie
Portrait of Erik Satie by Suzanne Valadon

plate no. 5126

Portrait of Erik Satie

Suzanne Valadon, 1892

oil, canvasPost-Impressionismportraitportraitmanhatglassesfacial hair
some experience helpful

This painting provides an opportunity to practice portraiture, focusing on capturing likeness and using color to define form. Students can learn to simplify complex shapes and use brushstrokes to create texture and depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, hat, and shoulders using light pencil lines.

  2. step 02

    Establish the background color with thin washes of muted tones.

  3. step 03

    Block in the main areas of color for the face, hat, and clothing, focusing on value relationships.

  4. step 04

    Refine the facial features, paying attention to the proportions and angles of the eyes, nose, and mouth.

  5. step 05

    Add details to the hat and clothing, using thicker paint and more visible brushstrokes.

  6. step 06

    Mix and apply subtle color variations to create depth and dimension in the face and clothing.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of light.

  8. step 08

    Refine the edges and details, making sure to maintain the overall impressionistic style.

color palette

primary · ivory black · burnt umber · raw sienna · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix browns and blacks with blues and reds to create depth. Use white to create highlights and tints. Mix red and yellow for skin tones, adjusting with green or blue to neutralize.

techniques

  • ·blocking in
  • ·color mixing
  • ·impasto
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov