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home·artworks·Portrait of Dumitru Arbore'
Portrait of Dumitru Arbore' by Nina Arbore

plate no. 8642

Portrait of Dumitru Arbore'

Nina Arbore

oilPost-Impressionismportraitportraitmanhatfigureclothingmustache
some experience helpful

Recreating this painting will help students develop skills in blocking in shapes with visible brushstrokes and understanding how to use color temperature to create form. It also provides practice in capturing a likeness using simplified forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hat, and shoulders.

  2. step 02

    Block in the background with broad strokes of blue-gray and yellow.

  3. step 03

    Establish the main areas of light and shadow on the face using simplified color blocks.

  4. step 04

    Define the features (eyes, nose, mouth) with more precise brushstrokes.

  5. step 05

    Add details to the hat and clothing, paying attention to the direction of the brushstrokes.

  6. step 06

    Refine the edges and shapes, softening some and sharpening others.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and expressive portrait.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · viridian green

Mix various shades of brown and skin tones by combining yellow ochre, burnt umber, cadmium red, and white. Use ultramarine blue and white for the cooler background. Mix viridian green with burnt umber for the hat.

techniques

  • ·alla prima
  • ·blocking in
  • ·broken color
  • ·directional brushstrokes
  • ·scumbling

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Getting bogged down in details too early.
  • →Ignoring the overall value structure.
  • →Not capturing the likeness of the subject.
  • →Using too much paint on the brush.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 or similar)
  • ·Oil paints: yellow ochre, burnt umber, ultramarine blue, titanium white, cadmium red, viridian green
  • ·Palette
  • ·Assorted brushes (flat and round, sizes #2-#8)
  • ·Odorless mineral spirits or turpentine
  • ·Linseed oil or painting medium
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use good quality oil paints for best results. A medium-textured canvas will work well for this style.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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