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home·artworks·Portrait of Chloe Boughton-Leigh
Portrait of Chloe Boughton-Leigh by Gwen John

plate no. 5128

Portrait of Chloe Boughton-Leigh

Gwen John

oil, canvasPost-Impressionismportraitportraitfigurewomandressnecklacehands
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric folds and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a thin wash of neutral colors.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall value structure.

  4. step 04

    Start building up the skin tones, layering subtle variations of color.

  5. step 05

    Define the features of the face, focusing on capturing the likeness.

  6. step 06

    Add details to the dress, rendering the folds and shadows.

  7. step 07

    Paint the hands, paying attention to the subtle forms and highlights.

  8. step 08

    Refine the details and adjust the values to create a cohesive and harmonious painting.

color palette

primary · raw umber · ivory black · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna

Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the dark tones of the dress by mixing black and umber, adding touches of blue or purple for variation.

techniques

  • ·portraiture
  • ·scumbling
  • ·glazing
  • ·value studies
  • ·limited palette

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (raw umber, ivory black, titanium white, cadmium red light, yellow ochre, burnt sienna)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a canvas with a medium texture to allow for subtle blending and layering. Consider using a limited palette to create a harmonious and unified painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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