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home·artworks·Portrait of children
Portrait of children by Alejandro Cabeza

plate no. 5439

Portrait of children

Alejandro Cabeza, 2012

oil, canvasContemporary Realismportraitportraitboychildfigureclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with loose brushstrokes. It also provides practice in color mixing to achieve realistic skin tones and subtle variations in light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the face and clothing.

  2. step 02

    Establish the background with broad strokes of dark, muted colors.

  3. step 03

    Block in the main areas of light and shadow on the face, using a limited palette.

  4. step 04

    Refine the facial features, paying attention to the subtle shifts in value and color.

  5. step 05

    Add highlights to the eyes, nose, and lips to create a sense of depth and realism.

  6. step 06

    Paint the clothing with loose, expressive brushstrokes, capturing the folds and textures.

  7. step 07

    Adjust the overall composition and values to create a harmonious and balanced image.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · viridian · ivory black

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use viridian and umber to create cool shadows. Add white to lighten colors and create highlights.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat and lifeless appearance.
  • →Neglecting the subtle shifts in value and color, leading to a lack of realism.
  • →Getting bogged down in details too early, before establishing the overall composition and values.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (raw umber, titanium white, cadmium red light, yellow ochre, viridian, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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