apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Azadoohi (Liberty Miller)
Portrait of Azadoohi (Liberty Miller) by Arshile Gorky

plate no. 3322

Portrait of Azadoohi (Liberty Miller)

Arshile Gorky, 1926

oil, canvasPost-Impressionismportraitportraitfigurechairindoorsclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing with a limited palette, and capturing form with visible brushstrokes. It also provides practice in simplifying complex forms and focusing on essential details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, chair, and background.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color.

  3. step 03

    Refine the facial features, paying attention to proportions and placement.

  4. step 04

    Develop the details of the clothing and chair, using visible brushstrokes to create texture.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Blend edges and adjust colors as needed to achieve a cohesive look.

  7. step 07

    Add final details and refine the overall composition.

  8. step 08

    Allow to dry and add a varnish for protection.

color palette

primary · red · brown · white · blue

secondary · yellow ochre · raw umber

Mix various shades of red and brown by combining primary colors with white and umber. Use blue to create cooler tones in the background and shadows. Yellow ochre can be used to warm up the skin tones.

techniques

  • ·dry brush texture
  • ·color mixing
  • ·portrait sketching
  • ·blocking in color
  • ·visible brushstrokes

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Getting the proportions of the face wrong.
  • →Using too many colors and creating a muddy effect.
  • →Ignoring the importance of light and shadow.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, brown, white, blue, yellow ochre, raw umber)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine or mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov