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home·artworks·Portrait of Andrew Wyeth
Portrait of Andrew Wyeth by Jamie Wyeth

plate no. 9187

Portrait of Andrew Wyeth

Jamie Wyeth, 1969

oil, canvasContemporary Realismportraitportraitfiguremanfaceclothingdark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering form with limited light. It also emphasizes the importance of value control to create depth and mood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light charcoal sketch to establish the proportions and placement of the head and shoulders.

  2. step 02

    Apply a thin wash of burnt umber to the entire canvas to create a warm underpainting.

  3. step 03

    Block in the darkest areas of the background and clothing with a mix of black and ultramarine blue.

  4. step 04

    Start building up the skin tones with thin layers of color, focusing on the highlights and shadows.

  5. step 05

    Carefully blend the edges of the skin tones to create a smooth transition between light and dark.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small brushes.

  7. step 07

    Refine the details of the clothing, including the buttons and collar.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium red light · yellow ochre

Achieve skin tones by mixing white, raw sienna, burnt umber, and small amounts of cadmium red light. Use ultramarine blue and black to create the dark background and clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·value studies

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to establish a strong value contrast between the light and dark areas.
  • →Getting the proportions of the face wrong.
  • →Using too much detail in the background, which can distract from the focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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