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home·artworks·Portrait of Alexandra of Denmark
Portrait of Alexandra of Denmark by Luke Fildes

plate no. 2320

Portrait of Alexandra of Denmark

Luke Fildes, 1905

oil, canvasAcademicismportraitportraitfiguredressjewelrycrownroyal
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabrics and textures, and understanding light and shadow to create form. It also provides practice in depicting intricate details like jewelry and embroidery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition and proportions of the figure and background.

  2. step 02

    Establish the main light and shadow areas using a limited palette of earth tones.

  3. step 03

    Block in the local colors of the dress, drapery, and skin tones.

  4. step 04

    Begin refining the details of the face, paying close attention to accurate values and subtle color shifts.

  5. step 05

    Develop the textures of the fabrics, using layering and glazing techniques.

  6. step 06

    Add the intricate details of the jewelry, crown, and embroidery, using fine brushes.

  7. step 07

    Refine the background and adjust the overall color harmony.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · yellow ochre · titanium white · burnt umber · cadmium red

secondary · ultramarine blue · ivory black · gold

Achieve the gold tones by mixing yellow ochre, burnt umber, and a touch of cadmium red. Skin tones are created using a mix of titanium white, cadmium red, and a small amount of burnt umber and yellow ochre. Use ultramarine blue to create the blue sash.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering fabric
  • ·depicting jewelry

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle color variations in the skin tones.
  • →Creating flat, lifeless textures.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints (yellow ochre, titanium white, burnt umber, cadmium red, ultramarine blue, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat, sizes 0-6)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

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oil painting for beginners →how to learn by studying the masters →
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