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home·artworks·Portrait of a Young Woman
Portrait of a Young Woman by Masaccio

plate no. 1844

Portrait of a Young Woman

Masaccio, 1425

oilEarly Renaissanceportraitportraitfigureheadwearprofilerenaissance
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending. It also provides practice in rendering fabric and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the proportions of the head and the placement of the features.

  2. step 02

    Block in the main areas of color: the skin, the headdress, the clothing, and the background.

  3. step 03

    Begin layering the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  4. step 04

    Pay attention to the subtle color variations in the skin, especially around the eyes, nose, and mouth.

  5. step 05

    Develop the headdress, focusing on the folds and drapery.

  6. step 06

    Refine the details of the clothing and the background.

  7. step 07

    Add final highlights and shadows to create a sense of depth and realism.

  8. step 08

    Glaze the painting with a thin layer of medium to unify the colors and add a subtle sheen.

color palette

primary · yellow ochre · raw umber · burnt sienna · ivory black

secondary · cadmium red light · titanium white

Skin tones are achieved by mixing yellow ochre, raw umber, burnt sienna, and a touch of cadmium red light, lightened with titanium white. The headdress is a mix of burnt sienna and raw umber, with ivory black for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Incorrect proportions
  • →Muddy skin tones
  • →Overly harsh shadows
  • →Lack of subtle color variations

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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