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home·artworks·Portrait of a young woman
Portrait of a young woman by David Burliuk

plate no. 9595

Portrait of a young woman

David Burliuk

oil, canvasPost-Impressionismportraitportraitwomanskyseafigureclouds
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also provides practice in simplifying a background to complement the main subject.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and background elements.

  2. step 02

    Block in the main areas of color: skin tones, hair, shirt, sky, and sea.

  3. step 03

    Start refining the skin tones, paying attention to subtle color variations and highlights.

  4. step 04

    Add details to the hair, using short, directional brushstrokes to create texture.

  5. step 05

    Define the features of the face, focusing on accurate proportions and shading.

  6. step 06

    Paint the shirt, using a light grid pattern to suggest the fabric.

  7. step 07

    Develop the background, using loose brushstrokes to create the sky and sea.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and dimension.

color palette

primary · yellow ochre · titanium white · cerulean blue · cadmium red

secondary · burnt umber · raw sienna · ultramarine blue

Achieve skin tones by mixing yellow ochre, titanium white, and a touch of cadmium red. Use ultramarine blue and cerulean blue for the sky and sea, lightening with white for highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Getting the proportions of the face wrong, leading to an inaccurate likeness.
  • →Making the background too detailed, distracting from the main subject.
  • →Using colors straight from the tube without mixing, resulting in a harsh, unnatural look.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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