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home·artworks·Portrait of a young Mpondo
Portrait of a young Mpondo by Irma Stern

plate no. 5012

Portrait of a young Mpondo

Irma Stern, 1935

oilPost-Impressionismportraitportraitfigurepersonjewelryfeatherclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also provides practice in capturing likeness and expression.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and main features.

  2. step 02

    Block in the background with a thin layer of light blue-green, varying the tones slightly.

  3. step 03

    Establish the main skin tones using a mix of browns, yellows, and reds, paying attention to the highlights and shadows.

  4. step 04

    Paint the clothing with broad strokes of pink and purple, creating folds and shadows to suggest form.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using smaller brushes and finer strokes.

  6. step 06

    Paint the hair and feather, using dark browns and blacks, and adding highlights to create texture.

  7. step 07

    Add the jewelry and other accessories, paying attention to their color and detail.

  8. step 08

    Refine the painting by adjusting the colors, values, and details as needed.

color palette

primary · raw umber · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · alizarin crimson · sap green

Mix browns and yellows with small amounts of red and blue to create realistic skin tones. Use white to lighten the colors and create highlights. Mix pinks and purples for the clothing by combining red, blue, and white.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Losing the proportions of the figure.
  • →Ignoring the subtle variations in skin tone.
  • →Applying paint too thinly or too thickly.
  • →Failing to capture the expression of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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