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home·artworks·Portrait of a Young Man
Portrait of a Young Man by Francesco Botticini

plate no. 0601

Portrait of a Young Man

Francesco Botticini

oilEarly Renaissanceportraitportraitfiguremanhairclothinghat
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering hair and clothing folds.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes of the head, shoulders, and hat.

  2. step 02

    Establish the background color with a thin wash of dark green, varying the tone slightly.

  3. step 03

    Block in the main areas of the face with light flesh tones, paying attention to the planes of the face.

  4. step 04

    Begin layering and blending the skin tones, adding subtle shadows and highlights.

  5. step 05

    Paint the hair, focusing on the direction and flow of the curls. Use thin glazes to build up depth and shine.

  6. step 06

    Block in the dark clothing and hat, defining the folds and creases.

  7. step 07

    Add details such as the eyes, lips, and the small bow at the neck.

  8. step 08

    Refine the overall painting, adjusting values and adding final touches.

color palette

primary · titanium white · ivory black · yellow ochre · raw umber

secondary · viridian green · burnt sienna · cadmium yellow

Achieve the skin tones by mixing white, yellow ochre, and a touch of raw umber. The green background is a mix of viridian green and black, lightened with white in some areas. Hair is a mix of yellow ochre, burnt sienna, and raw umber.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·portraiture
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Making the hair look too uniform and lacking depth.
  • →Not paying enough attention to the subtle value changes in the clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·viridian green oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt sienna oil paint
  • ·cadmium yellow oil paint

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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oil painting for beginners →how to learn by studying the masters →
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