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Portrait of a Young Man by Arshile Gorky

plate no. 0300

Portrait of a Young Man

Arshile Gorky, 1927

oil, canvasPost-Impressionismportraitportraitfiguremanclothingheadface
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and capturing likeness with simplified forms. It also provides practice in layering and blending paint to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Block in the main areas of color: skin tones, hair, clothing, and background.

  3. step 03

    Refine the skin tones by layering and blending different shades of yellow, orange, and brown.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, paying attention to their placement and shape.

  5. step 05

    Develop the clothing and background, adding subtle variations in color and texture.

  6. step 06

    Use visible brushstrokes to create a sense of movement and energy.

  7. step 07

    Add highlights and shadows to enhance the form and create depth.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · titanium white · raw umber · cadmium orange

Mix skin tones by blending yellow ochre, burnt sienna, and a touch of white. Use ultramarine blue and white to create the background. Mix orange and brown to create the clothing color.

techniques

  • ·color mixing
  • ·layering
  • ·blending
  • ·visible brushstrokes
  • ·portraiture

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting the proportions of the face wrong.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and form.
  • →Not paying attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints: yellow ochre, burnt sienna, ultramarine blue, titanium white, raw umber, cadmium orange
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a limited palette to simplify the color mixing process. Consider using a medium to thin the paint and improve blending.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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