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home·artworks·Portrait of a Woman
Portrait of a Woman by Suzanne Valadon

plate no. 3843

Portrait of a Woman

Suzanne Valadon, 1917

oilPost-Impressionismportraitportraitfigurewomanchairdraperyhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric and background patterns with simplified forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure and background, focusing on proportions and composition.

  2. step 02

    Establish the main color blocks for the skin, hair, drapery, and background.

  3. step 03

    Begin layering skin tones, using subtle variations of pink, yellow, and white.

  4. step 04

    Define the facial features, paying attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add details to the hair, using short, directional brushstrokes.

  6. step 06

    Develop the background pattern, simplifying the forms and using a limited color palette.

  7. step 07

    Refine the drapery, adding highlights and shadows to create a sense of volume.

  8. step 08

    Add final details and adjust values to create a cohesive and balanced composition.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · viridian green · ultramarine blue · ivory black

Mix skin tones by blending white, yellow ochre, and a touch of red. Use viridian green and yellow ochre to create the muted greens of the background. Add ultramarine blue to black to create the dark fabric.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·simplified forms

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Getting the proportions of the face wrong.
  • →Making the background too detailed and distracting.
  • →Failing to capture the essence of the subject's expression.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for optimal paint adhesion. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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