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home·artworks·Portrait of a West African girl
Portrait of a West African girl by Irma Stern

plate no. 5456

Portrait of a West African girl

Irma Stern, 1955

oilPost-Impressionismportraitportraitfigurewomanbraidsjewelryafrican
some experience helpful

Recreating this painting will help students develop skills in color blocking and capturing likeness with expressive brushstrokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders, paying attention to proportions.

  2. step 02

    Block in the large areas of color for the skin, background, and clothing using simplified shapes.

  3. step 03

    Refine the facial features, focusing on the eyes, nose, and mouth, and their relationship to each other.

  4. step 04

    Add details to the hair, including the braids and their arrangement around the head.

  5. step 05

    Introduce variations in color and value to create depth and dimension in the skin tones.

  6. step 06

    Develop the background with expressive brushstrokes and contrasting colors.

  7. step 07

    Add details to the clothing and jewelry, using brighter colors and bolder strokes.

  8. step 08

    Review the overall composition and make any necessary adjustments to balance the colors and values.

color palette

primary · burnt umber · yellow ochre · titanium white · orange

secondary · cerulean blue · cadmium red · sap green · gray

Mix skin tones by blending burnt umber, yellow ochre, and titanium white. Use orange and red to create warmth in the skin. Mix blue and white for the jewelry.

techniques

  • ·color blocking
  • ·expressive brushstrokes
  • ·simplifying forms
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the background and its relationship to the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·water

optional

  • ·painting medium
  • ·easel
  • ·apron
  • ·rags

Use a medium-sized canvas for this project. Acrylic paints are recommended for their fast-drying time and ease of use.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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