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home·artworks·Portrait of a Moroccan man
Portrait of a Moroccan man by Alfred Dehodencq

plate no. 2318

Portrait of a Moroccan man

Alfred Dehodencq

oil, canvasOrientalismportraitportraitmanclothingheadwearfigureface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness, rendering skin tones, and creating depth through subtle value changes. It also provides practice in depicting fabric and textures with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background with a thin wash of neutral gray.

  3. step 03

    Block in the main areas of color for the skin, clothing, and headwear, focusing on the overall values.

  4. step 04

    Begin refining the skin tones, layering and blending colors to create depth and form.

  5. step 05

    Develop the details of the face, paying attention to the highlights and shadows.

  6. step 06

    Add details to the clothing, using short, broken brushstrokes to suggest texture.

  7. step 07

    Refine the edges and details throughout the painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black · cadmium red light

Mix skin tones by blending burnt umber, raw sienna, and titanium white, adding small amounts of cadmium red light for warmth. Use ivory black to create cooler shadows and grays.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to accurately capture the proportions and likeness of the figure.
  • →Using too much detail in the background, distracting from the main subject.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or 16x20)
  • ·oil paints (burnt umber, raw sienna, titanium white, yellow ochre, ivory black, cadmium red light)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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