apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Man
Portrait of a Man by Violet Oakley

plate no. 3078

Portrait of a Man

Violet Oakley, 1928

oilAmerican Realismportraitfigureportraitmanwritingdeskpaper
some experience helpful

Recreating this painting will help students develop skills in figure drawing, particularly capturing proportions and gestures, and in using a limited palette to create tonal variations and subtle color shifts.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the proportions and placement of the figure.

  2. step 02

    Refine the sketch, paying close attention to the angles and curves of the figure's pose.

  3. step 03

    Establish the main areas of light and shadow with broad strokes of charcoal or pastel.

  4. step 04

    Develop the details of the face, hands, and clothing, using finer lines and subtle shading.

  5. step 05

    Add the background elements, keeping them simple and understated.

  6. step 06

    Introduce subtle color washes to add depth and warmth to the drawing.

  7. step 07

    Refine the edges and details, using a kneaded eraser to lift highlights and create soft transitions.

  8. step 08

    Add final details such as the pen and the text on the paper.

color palette

primary · charcoal gray · ivory black · raw umber

secondary · burnt sienna · white

Mix raw umber and white for the skin tones, adding a touch of burnt sienna for warmth. Use varying amounts of black and white to create different shades of gray.

techniques

  • ·contour drawing
  • ·hatching
  • ·cross-hatching
  • ·tonal shading
  • ·limited palette

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation with the initial sketch.
  • →Creating harsh lines and transitions instead of soft shading.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · toned paper (gray or beige)

required

  • ·charcoal pencils (soft, medium, hard)
  • ·white chalk or pastel
  • ·toned paper (gray or beige)
  • ·kneaded eraser
  • ·blending stumps or tortillions
  • ·fixative spray
  • ·ruler

optional

  • ·colored pencils
  • ·watercolor pencils
  • ·palette knife

Choose a paper with a slightly textured surface to allow for better blending and layering of the charcoal and pastel.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Common Work

Common Work

Albrecht Anker

Untitled (Two Women)

Untitled (Two Women)

Violet Oakley

Untitled (Logging Scene)

Untitled (Logging Scene)

Alexander Calder

Untitled (Mountain Landscape)

Untitled (Mountain Landscape)

Violet Oakley

Mojave Bus Station

Mojave Bus Station

John Register

Restaurant

Restaurant

John Register

Ship in the Bay

Ship in the Bay

Robert Henri

North Greenland Fiord, Gray Day

North Greenland Fiord, Gray Day

Rockwell Kent