
plate no. 1512
Petrus Christus, 1465
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for realistic skin tones. It also offers practice in rendering fabric textures and folds.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and hat.
Establish the background with a thin, even layer of dark paint.
Block in the main areas of color: skin tones, red garment, and hat.
Begin layering and blending the skin tones, paying close attention to highlights and shadows.
Develop the folds and textures of the red garment using darker and lighter shades of red.
Refine the details of the face, including the eyes, nose, and mouth.
Add subtle highlights to the hat to create a sense of form.
Make final adjustments to values and details to achieve a cohesive and realistic portrait.
color palette
primary · ivory black · cadmium red · yellow ochre · titanium white
secondary · burnt umber · raw sienna
Skin tones are achieved by mixing yellow ochre, cadmium red, and titanium white, with small amounts of burnt umber for shadows. The red garment is created with cadmium red, lightened with titanium white for highlights and darkened with burnt umber for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.
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