apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Lady Holding a Rose
Portrait of a Lady Holding a Rose by Thomas Dewing

plate no. 8329

Portrait of a Lady Holding a Rose

Thomas Dewing, 1912

oilTonalismgenre paintingfigureportraitdresstablewall hanginginterior
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing, creating soft edges, and capturing the mood of tonalism. It's a good exercise in painting a portrait with a limited palette and focusing on atmospheric effects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main shapes.

  2. step 02

    Establish the background color with a thin wash of muted browns and grays.

  3. step 03

    Block in the main areas of color for the dress, table, and figure, using a limited palette.

  4. step 04

    Begin to refine the shapes and values of the figure, paying attention to the subtle transitions of light and shadow.

  5. step 05

    Add details to the face, hands, and dress, using small brushes and delicate brushstrokes.

  6. step 06

    Paint the wall hanging, simplifying the details and focusing on the overall color and tone.

  7. step 07

    Soften edges and blend colors to create a hazy, atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · viridian green · raw umber · titanium white

secondary · alizarin crimson · yellow ochre

Mix greens by blending viridian with raw umber and white. Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Mute colors by adding a small amount of the complementary color.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·limited palette
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated.
  • →Creating hard edges that detract from the softness of the painting.
  • →Neglecting the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a fine-weave canvas for smoother blending. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Spring, Hudson River

Spring, Hudson River

Leon Dabo

Oraibi, Hopi village, Arizona

Oraibi, Hopi village, Arizona

Xavier Martinez

The Farmyard

The Farmyard

Albert Pinkham Ryder

Woodland Vista

Woodland Vista

Ralph Blakelock

Landscape

Landscape

Leon Dabo

Untitled (Moon Over a Harbor)

Untitled (Moon Over a Harbor)

Edward Mitchell Bannister

Afternoon in Piedmont (Elsie Whitaker Martinez)

Afternoon in Piedmont (Elsie Whitaker Martinez)

Xavier Martinez

Near Conway, North Wales

Near Conway, North Wales

Alexander Helwig Wyant