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home·artworks·Portrait of a Lady
Portrait of a Lady by Lo Scheggia

plate no. 9297

Portrait of a Lady

Lo Scheggia, 1460

temperaEarly Renaissanceportraitportraitfiguredresshairjewelryrenaissance
some experience helpful

Recreating this painting will help students develop skills in portraiture, including understanding facial proportions and subtle color gradations for skin tones. It also provides practice in rendering detailed patterns and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outline of the figure and the main features (face, hair, dress).

  2. step 02

    Block in the background with a solid layer of black.

  3. step 03

    Establish the basic skin tones with a light base color.

  4. step 04

    Begin layering in shadows and highlights on the face and neck, paying attention to the subtle transitions.

  5. step 05

    Paint the hair, focusing on the direction of the strands and the highlights.

  6. step 06

    Block in the colors of the dress and then add the intricate patterns and details.

  7. step 07

    Add the jewelry details.

  8. step 08

    Refine the edges and details, making final adjustments to the values and colors.

color palette

primary · ivory · black · gold

secondary · red · umber · green

Mix ivory with small amounts of yellow ochre and red for the skin tones. Use black with a touch of umber for the background. Mix greens from blue and yellow.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·hatching

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Making the skin tones too flat and lifeless.
  • →Overworking the details in the dress, losing the overall form.
  • →Not achieving a smooth, even background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory paint
  • ·black paint
  • ·yellow ochre paint
  • ·red paint
  • ·umber paint
  • ·small round brush
  • ·small flat brush

optional

  • ·retarder medium
  • ·varnish
  • ·palette knife

Tempera paint is traditional, but acrylics or oils can be used as substitutes. Use a slow-drying medium if using acrylics to allow for blending.

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