apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Girl Wearing a Green Dress
Portrait of a Girl Wearing a Green Dress by William Orpen

plate no. 9481

Portrait of a Girl Wearing a Green Dress

William Orpen, 1899

oilPost-Impressionismportraitfigureportraitdresswomandark background
some experience helpful

This painting is a good exercise in capturing light and shadow on a figure and creating form with loose brushstrokes. Recreating it will help students understand how to simplify details and focus on essential values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure proportions and pose lightly on the canvas.

  2. step 02

    Block in the large shapes of the background and the figure's dress with thin washes of color.

  3. step 03

    Establish the darkest areas of the background and the shadows on the figure.

  4. step 04

    Begin adding highlights to the face, dress, and hands, focusing on the light source.

  5. step 05

    Refine the shapes and details of the face, paying attention to the subtle shifts in value.

  6. step 06

    Develop the folds and textures of the dress with short, expressive brushstrokes.

  7. step 07

    Soften edges where needed to create a sense of atmosphere.

  8. step 08

    Add final touches and adjust values to create a cohesive and balanced composition.

color palette

primary · ivory black · viridian green · titanium white

secondary · burnt umber · cadmium red light

Mix greens by combining viridian green with ivory black and titanium white. Achieve skin tones by mixing titanium white, cadmium red light, and a touch of burnt umber.

techniques

  • ·chiaroscuro
  • ·alla prima
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value contrast.
  • →Getting the skin tones muddy or unnatural.
  • →Ignoring the importance of soft edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·viridian green oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov