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home·artworks·Portrait of a Girl
Portrait of a Girl by Romualdo Locatelli

plate no. 0735

Portrait of a Girl

Romualdo Locatelli, 1939

oil, canvasOrientalismportraitportraitfiguregirlclothinghead coveringhand
some experience helpful

This painting offers practice in capturing skin tones with subtle variations and creating form with loose, expressive brushstrokes. Students can learn to simplify details while maintaining a likeness.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the background with broad, loose strokes of browns and greens.

  3. step 03

    Block in the main skin tones using a mix of browns, reds, and yellows, paying attention to the light and shadow.

  4. step 04

    Begin defining the features of the face, using smaller brushes and subtle color variations.

  5. step 05

    Paint the clothing with loose, visible brushstrokes, capturing the folds and highlights.

  6. step 06

    Add details to the head covering, using white and gray tones to create form.

  7. step 07

    Refine the details of the hand and facial features, paying attention to the expression.

  8. step 08

    Add final highlights and shadows to enhance the overall form and create depth.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue

Achieve skin tones by mixing burnt umber, yellow ochre, and cadmium red, adjusting the ratios for highlights and shadows. Use ultramarine blue to cool down browns and create shadows.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (rounds and flats)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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