
plate no. 9968
Peter Fendi, 1825
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric folds and subtle gradations of light and shadow.
technical profile
approach — 8 steps
Create a light sketch outlining the main shapes and proportions of the figure, statue, and background.
Block in the main areas of color, starting with the background and then the figure's clothing.
Begin layering in the skin tones, paying close attention to the subtle variations in color and value.
Develop the details of the face, including the eyes, nose, and mouth, using small, precise brushstrokes.
Add the highlights and shadows to the clothing and drapery to create a sense of depth and volume.
Refine the details of the statue and the landscape in the background.
Add the final touches, such as the highlights in the eyes and the details of the fabric.
Glaze with thin layers to unify the painting and adjust values.
color palette
primary · ivory black · raw umber · yellow ochre · titanium white
secondary · viridian · cadmium red light · gold
Mix skin tones using white, yellow ochre, and a touch of red and umber. Achieve the darks in the coat by mixing ivory black and raw umber. The green background is a mix of viridian and umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.
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