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Portrait of a doctor by Peter Fendi

plate no. 9968

Portrait of a doctor

Peter Fendi, 1825

oil, canvasBiedermeierportraitportraitfiguremandraperystatuelandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric folds and subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure, statue, and background.

  2. step 02

    Block in the main areas of color, starting with the background and then the figure's clothing.

  3. step 03

    Begin layering in the skin tones, paying close attention to the subtle variations in color and value.

  4. step 04

    Develop the details of the face, including the eyes, nose, and mouth, using small, precise brushstrokes.

  5. step 05

    Add the highlights and shadows to the clothing and drapery to create a sense of depth and volume.

  6. step 06

    Refine the details of the statue and the landscape in the background.

  7. step 07

    Add the final touches, such as the highlights in the eyes and the details of the fabric.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · viridian · cadmium red light · gold

Mix skin tones using white, yellow ochre, and a touch of red and umber. Achieve the darks in the coat by mixing ivory black and raw umber. The green background is a mix of viridian and umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details before establishing the overall values.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, raw umber, yellow ochre, titanium white, viridian, cadmium red light)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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oil painting for beginners →how to learn by studying the masters →
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