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home·artworks·Portrait D'un Jeune Guide Arabe
Portrait D'un Jeune Guide Arabe by Paul Leroy

plate no. 3673

Portrait D'un Jeune Guide Arabe

Paul Leroy

oilOrientalismportraitportraitfigureheadscarfskyprofileclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and depicting fabric folds. It also provides practice in creating subtle value changes to suggest form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, headscarf, and shoulders, paying attention to proportions.

  2. step 02

    Block in the background with a thin layer of light blue, establishing the overall tone.

  3. step 03

    Establish the basic skin tones with a mid-tone mixture, focusing on the shadow areas first.

  4. step 04

    Begin layering lighter and darker values on the face to define the planes and contours.

  5. step 05

    Paint the headscarf, using a light off-white color and adding subtle shadows to indicate folds.

  6. step 06

    Block in the color of the clothing, paying attention to the folds and shadows.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to the entire painting to create depth and dimension.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · raw sienna · viridian

Skin tones are achieved by mixing burnt umber, yellow ochre, and titanium white, with small amounts of ultramarine blue and viridian for shadows. The headscarf is primarily titanium white with touches of yellow ochre and burnt umber for shadows. The clothing is a mix of ultramarine blue and viridian.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·value control
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring subtle value changes, leading to a flat appearance.
  • →Overworking the details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·viridian oil paint

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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