
plate no. 3673
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and depicting fabric folds. It also provides practice in creating subtle value changes to suggest form.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head, headscarf, and shoulders, paying attention to proportions.
Block in the background with a thin layer of light blue, establishing the overall tone.
Establish the basic skin tones with a mid-tone mixture, focusing on the shadow areas first.
Begin layering lighter and darker values on the face to define the planes and contours.
Paint the headscarf, using a light off-white color and adding subtle shadows to indicate folds.
Block in the color of the clothing, paying attention to the folds and shadows.
Refine the details of the face, including the eyes, nose, and mouth.
Add final highlights and shadows to the entire painting to create depth and dimension.
color palette
primary · titanium white · burnt umber · ultramarine blue
secondary · yellow ochre · raw sienna · viridian
Skin tones are achieved by mixing burnt umber, yellow ochre, and titanium white, with small amounts of ultramarine blue and viridian for shadows. The headscarf is primarily titanium white with touches of yellow ochre and burnt umber for shadows. The clothing is a mix of ultramarine blue and viridian.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.
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