
plate no. 5536
Charles Maurin, 1892
Recreating this painting will help students practice portraiture basics, including proportion and likeness, as well as color mixing for skin tones and creating a sense of depth with subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.
Block in the main areas of color: background, skin, hair, clothing.
Refine the skin tones, paying attention to highlights and shadows on the face.
Add details to the hair, using short, directional brushstrokes.
Define the features of the face: eyes, nose, mouth.
Work on the clothing, adding folds and shadows to create depth.
Refine the background color and add any subtle variations.
Add the inscription in the top right corner.
color palette
primary · red · ivory black · titanium white · ultramarine blue
secondary · burnt umber · yellow ochre
Skin tones can be achieved by mixing white, red, yellow ochre, and a touch of burnt umber. The blue clothing is a mix of ultramarine blue and black. The background is a mix of red with small amounts of umber and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Acrylics will dry faster, but oils allow for more blending time.
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