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home·artworks·Port of Marseilles
Port of Marseilles by Albert Marquet

plate no. 8571

Port of Marseilles

Albert Marquet, 1916

oilPost-Impressionismmarinaharborboatswaterbuildingsskycityscape
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in water and sky, and in simplifying complex scenes into basic shapes and forms. It also provides practice in creating depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the buildings, the boats, and the distant mountain.

  2. step 02

    Block in the large areas of color: the sky, the water, and the landmasses.

  3. step 03

    Establish the basic values, focusing on the light and shadow patterns on the buildings and boats.

  4. step 04

    Refine the shapes and details of the boats and buildings, paying attention to their reflections in the water.

  5. step 05

    Add the smaller boats and details in the water, using lighter strokes.

  6. step 06

    Create atmospheric perspective by lightening the colors and softening the edges of the distant mountain.

  7. step 07

    Add final highlights and details to the boats and buildings to create depth and interest.

  8. step 08

    Review the painting and make any necessary adjustments to the colors, values, and details.

color palette

primary · cerulean blue · titanium white · raw umber · yellow ochre

secondary · burnt sienna · ivory black · viridian

Mix cerulean blue and white for the sky and water, adding small amounts of raw umber and yellow ochre to create subtle variations. Use burnt sienna and ivory black for the boats and buildings, mixing with white to lighten the values.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·color mixing
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated and not capturing the muted tones of the scene.
  • →Not simplifying the complex shapes of the buildings and boats.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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