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home·artworks·Pontoise, l'Eperon Street and Street de la Coutellerie
Pontoise, l'Eperon Street and Street de la Coutellerie by Maurice Utrillo

plate no. 9737

Pontoise, l'Eperon Street and Street de la Coutellerie

Maurice Utrillo

oil, panelPost-Impressionismcityscapebuildingsstreetcityscapeskyhousesroad
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for muted tones, and capturing the texture of old buildings with visible brushstrokes. It's a good exercise in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the sky with a thin wash of light blue.

  3. step 03

    Establish the main value blocks for the buildings using a mix of white, ochre, and a touch of burnt umber.

  4. step 04

    Paint the road with a base of yellow ochre, adding variations in tone and texture.

  5. step 05

    Add details to the buildings, such as windows, doors, and roof tiles, using darker values.

  6. step 06

    Create texture on the building surfaces with short, broken brushstrokes.

  7. step 07

    Introduce subtle color variations to the buildings and road to create depth and interest.

  8. step 08

    Add the figures in the distance with minimal detail.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · ultramarine blue · burnt sienna · ivory black

Achieve the off-white building colors by mixing white with small amounts of yellow ochre and burnt umber. Use ultramarine blue and white for the sky, and mix burnt sienna and burnt umber for the roof tiles.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·linear perspective
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating overly saturated colors that don't match the muted palette.
  • →Ignoring the perspective and creating distorted buildings.
  • →Making the brushstrokes too uniform and losing the textural variety.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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