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home·artworks·Pompeji Have (House of the Chirurgus with the Vesuv)
Pompeji Have (House of the Chirurgus with the Vesuv) by Tivadar Kosztka Csontvary

plate no. 2748

Pompeji Have (House of the Chirurgus with the Vesuv)

Tivadar Kosztka Csontvary, 1898

oilPost-Impressionismcityscaperuinscolumnsmountainbuildingsskycityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural forms with simplified shapes and colors. It also provides practice in creating depth through layering and tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the columns and the mountain in the background.

  2. step 02

    Block in the sky and mountain with broad strokes, establishing the overall color and value range.

  3. step 03

    Establish the base colors of the buildings and columns, paying attention to the warm and cool tones.

  4. step 04

    Begin adding details to the architectural elements, focusing on the shapes of the ruins and the texture of the columns.

  5. step 05

    Layer in shadows and highlights to create depth and dimension, using broken brushstrokes to add texture.

  6. step 06

    Refine the details of the foreground, including the road and any visible objects.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of atmosphere and depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt sienna · ultramarine blue · yellow ochre

secondary · titanium white · raw umber

Mix burnt sienna and ultramarine blue to create various shades of brown and gray for the buildings and mountain. Use yellow ochre and white to create the highlights on the columns and buildings.

techniques

  • ·broken brushstrokes
  • ·atmospheric perspective
  • ·scumbling
  • ·color layering

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated and bright.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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